Artist Statement

My work is an exploration of ambiguity—of ideas, politics, emotions, and philosophies that resist easy articulation. Through conceptual photography, I give form to the intangible, using humor, wit, and earnestness to navigate complexity.

I embrace difficulty in photography. I inject meaning into what might otherwise be dismissed as meaningless: the artificial, the infrastructural, the theatrical shells of the world. My images often exist in spaces where reality and simulation blur—where the mundane becomes symbolic, where constructed environments reveal deeper truths.

My process is both exploratory and intentional. I photograph in found and fabricated settings, traveling to specific locations with props or designing and building sets in the studio. I never use AI, rarely crop, and believe in minimal post-production. The integrity of the photographic process is essential to my practice.

My influences span a lineage of photographers who have challenged the medium: Hiroshi Sugimoto, Clarence John Laughlin, Duane Michals, Sally Mann, Greg MacGregor, William Eggleston, Martin Parr, Sandy Skoglund, Jeff Wall, Aaron Siskind, and Elliott Erwitt, among others. Yet, each series I create dictates its own visual and technical needs—there is no singular approach, only what best serves the concept.

Lighting is my obsession. Cameras are merely tools to realize vision.

I believe my photography should be experienced physically—through large-scale prints and books—though digital platforms serve as useful bridges.

Ultimately, if my work leaves you with more questions than answers, if it makes you laugh, feel something unexpected, or inspires you to create, then it has done its job.

All copyright, other intellectual property, and written material on this website are reserved. This includes but is not limited to content posted to social media accounts e.g. Facebook, Bluesky, Instagram and all other forms of media under the artist, Philip Ringler.

No part of this website may be used, reproduced, or distributed without written permission by Philip Ringler.